Sunday, 7 April 2013

We are proud to be WORLDWIDE DISTRIBUTORS/AGENTS for these brands!

We are worldwide distributors/agents for Magna-Tech Electronic Co. (USA) who carries international brands in professional cinema equipments and accessories.













We are also international agents for Aaton , French manufacturer of professional-grade 16 and 35 mm film cameras and motion picture equipments.



 We distribute to Malaysia and neighbouring countries.
Contact us for more information and orders.

Leong
Email: qiyaoleong@rocketmail.com
Tel    : 6017-5911978

Alexander
Email : transasi@streamyx.com

Tel     : 605-5457113

Tuesday, 2 April 2013

Bell & Howell 16mm Projector Model 631






RM 1500 *excluding postage

FILMOSOUND Model 631
In great working condition. Regularly serviced.

Made in England
Origin : 1950's 
Included:
- transformer for 240V
- pairing speaker (paired design with projector)

- 2 x 16mm spools
- Bausch & Lomb SCOPE lens


All items/equipments included are vintage, original and fully functional.

Contact us for more information and close up photos. 
Email : qiyaoleong@gmail.com
Tel : 6017-5911978 


Background information:

Bell & Howell 640, 16mm Optical and magnetic sound (1957)
 

     After the war Bell & Howell machines were built under licence in the England by Rank-Gaumont at their factory in Mitchelldean, Gloucestershire. The 640 was the last British built blimp style Filmosound machine and was introduced in approx 1957. These machines used the original Bell & Howell picture head mounted on a well designed amplifier/scanner. To minimise noise whilst running the mechanism was mounted inside a wooden blimp cabinet with doors that could be shut during the show. Reflecting its American parentage these machines run on 110V and have switches that are up for on. The standard British 240V is reduced by an external (and very heavy) auto-transformer. Some other machines were built to run direct on 240V, but screen illumination suffered as the all the light from the less compact filament could not be condensed through the gate opening.
The 640 also features magnetic sound record and replay in addition to the standard optical, allowing the professional user or well-heeled amateur to produce movies with synchronised sound. Other models in the series were the 631, with optical sound only, and the 636 which was optical sound only with direct 240V operation.

     The 640 was the 2nd B&H model offered in Britain with magnetic sound, the first was the 630 (known in US as model 202) introduced in about 1954. The 630 had an extra tall case to allow the amplifier mains transformer to be mounted well away from the sensitive heads/amplifier. In the 640 the amplifier was radically re-designed to avoid the need for this. In this machine a pair of UL84 pentodes form a power oscillator which runs directly off of the rectified 110V, and via a high frequency transformer supply the power to run the rest of the amplifier - a forerunner of today's switch mode PSUs. This solution is brilliant and achieves several desired features all at once:
A high frequency source is available to run the exciter lamp to eliminate mains hum, it can also supply the erase head and record bias. The pre-amp valve heaters are also run at HF to eliminate mains hum. No conventional mains transformer is required eliminating weight and a potential hum source. Although some parts of the amp are connected direct to the rectified 110V supply the inputs and outputs remain isolated giving the safety of a conventional AC design. A further pair of UL84's in push-pull give the amplifier an output power of approx 15W.


The above photo shows the 640 (left) next to the 630.
 
     By modern standards the screen illumination from these machines is a bit lacking, but they still have some advantages: When showing 'thin' prints less light is desirable, also due to the small sprocket diameter and double claw shuttle they are kinder to shrunken film than their later siblings.
Sound quality is also first rate. but on my machine I found that despite all the care in the design of the amp mains hum was unacceptable. This was traced to a few inches of unscreened wire connecting up the tone control circuit, when replaced with screened lead the hum fell to the expected low level. It should be noted that these machines need a longer amp warm up than most since there is a double wait: First the power oscillator must warm up, then only once it is going will the pre-amp valves start to heat.
     The original B&H projectors all needed regular oiling, this machine must be a fairly late example because the mechanism is sealed and greased. Unfortunately it still has the oiling tubes attached to the blimp, but going nowhere, it even came with an oil bottle. I wonder if the previous owner used to oil it and then wonder why he ended up with oil everywhere!?!
With the current glut of modern ex-school 16mm projectors on the 2nd hand market these older machines are being dumped, which is a pity since they still have a lot to offer. In particular there is very little plastic and no built-in obsolescence

View  ACW Review on model 640(750k JPG)
View 630 Amplifier Circuit Diagram (164k GIF)
View 640 Amplifier Circuit Diagram (184k GIF)
(source:http://www.schimmel.talktalk.net/cine/)

Chinon Sound 8000 8mm Projector




Price : RM 1000 *excluding postage
Condition: Good and working.
Comes with a 8mm short film (travel documentary)


Specifications:

Marketed in 1974
Format : Super 8 mm film
Lens: Chinon Zoom f: 1.3 \ F: 15-25 mm
Lamp: 100 W, 12 V EFP
Reel capacity: 180 m
Film loading: automatic threading
Projection: forward, reverse
Projection speed: 18, 24 fps
Sound: magnetic playback on main sound track, MONO
Sound controls: volume, sound-on-sound dial
Amplifier: 2 IC, 4 transistors, 12 diodes
Amplifier output: 2W (8 Ohm), 4 W (4 Ohm)
Recording: magnetic, sound-on-sound, fading sound
Recording level control: auto
Input terminal: Microphone (0.5 mV, -66 dB, 1.2 kOhm), Auxiliary (300 mV, 470 kOhm)
Input jacks: Mic: 3.5 mm diameter jack; Aux: 5-pin DIN jack (European DIN)
Output terminal: Monitor, External Speaker
Output jacks: Mon: 3.5 mm diameter jack; Ext Sp: 2-pin DIN jack
Built-in speaker: yes
Motor: electronically governed DC magnetic motor
Power source: 130-220-240-250 V AC, 50/60 Hz, 180 W
Weight: 8200 g
Dimensions: 180 (W) x 245 (H) x 340 (L) mm
Made in Japan by Chinon


source : http://super8data.com/database/projectors_list/projectors_chinon/projectors_chinon.htm 

Contact us for more information and close up photos.Email : qiyaoleong@gmail.com
Tel : 6017-5911978



CineMasterpieces Guide to US Movie Poster Sizes

credit to : http://myworld.ebay.com/cinemasterpieces/

Up until the 1980's movie posters and other advertising materials were printed in very limited quantities. Different sizes were offered depending on the needs of the studio or theaters. American theaters actually rented them from the studios. All of them were not meant to be saved. Most forms arrived at the theater folded from the studio supplier. They were considered a disposable form of advertising and after their initial use were supposed to be returned to the studio or destroyed. The following are the different sizes and styles of American movie posters.

ONE SHEET (1sh)
The most common and MOST COLLECTIBLE type of American movie poster. Nearly all one sheets printed before 1985 measure a full 27"x41". Most recent one sheets are approximately 27"x40". Always in a vertical format. Up until the early 1980's, most (not all) were issued folded with one vertical and three horizontal creases. Some were issued tri-folded. Still used in theaters today and now always issued rolled. The standard U.S. poster.

INSERT
A vertical format American movie poster, measuring 14"x36", generally issued rolled and on thicker stock paper. Their smaller size makes them popular with collectors. Inserts from the 60's and before were often issued folded. Generally much rarer than a one sheet. Studios stopped issuing these in the early 1980's.

HALF-SHEET

A horizontal format American movie poster, measuring 22"x28", generally on thicker stock paper. Newer ones were issued rolled, older ones were issued rolled and folded (folded twice-not considered a defect). Usually VERY RARE compared to a one sheet or insert. Studios stopped issuing these in the early 1980's.
30x40EXTREMELY RARE COMPARED TO A ONE SHEET. A vertical format American movie poster measuring 30" x 40" printed on a very heavy card stock material. Most 30" x 40"’s feature the same artwork as the one sheet and were issued rolled to the theatre exchanges. The National Screen Service number is normally found on the side on the poster, as opposed to the lower bottom as is the case with one-sheets. VERY difficult to find in Near Mint condition because the card stock can crease easily. Studios have stopped issuing these. The print run for most 30x40's was usually just a few hundred, making them much rarer than 27x41 paper one sheets.
40x60EXTREMELY RARE COMPARED TO A ONE SHEET. A vertical format American movie poster measuring 40"x60" printed on a heavy card stock material. Most 40"x60"’s feature the same artwork as the one sheet and were issued rolled. They were primarily offered for major motion pictures only and were displayed both inside and outside of theatres. A 40x60 poster display would cost the theater up to 20 times as much as a one sheet to rent. Only a few hundred of these were printed, and it was only printed once. Unlike the one sheet which was printed in much larger quantities. The NSS number is normally found on the side on the poster, as opposed to the lower bottom as is the case with one-sheets. VERY difficult to find in Near Mint condition because the card stock can crease easily. Studios have stopped issuing these.

SUBWAY/TWO SHEET An extremely popular and very rare HORIZONTAL format American movie poster measuring approximately 41" x 54". Subway sheets are printed on a thicker paper than one-sheets. Most contain the same artwork as the advance materials, and are almost always issued as "advances." They are most often found in subway displays. These posters can be either rolled or folded. Some collectors like the subway sheet because there are fewer of them released. They are somewhat large and cumbersome, but because they are printed on a thick paper, they are more durable. Still used today. HIGHLY DESIRED DUE TO ITS HORIZONTAL FORMAT AND EXTREME SCARCITY!

THREE SHEET

 EXTREMELY RARE COMPARED TO A ONE SHEET. A very large and VERY DESIRABLE vertical format American movie poster. Measuring approx. 41"x81", generally produced in 2 or 3 overlapping sections. Almost always folded. International versions were sometimes issued. Originally designed to be pasted on small billboards. Studios stopped issuing these in the late 1970's. This size poster always makes a statement and dominates a room.

SIX SHEET
A HUGE American movie poster measuring approx. 81"x81", produced in 2 or more overlapping sections. Almost always folded. EXTREMELY RARE. Very large and cumbersome they are usually printed on a thicker paper than one sheets. Originally designed to be pasted on small billboards. Studios stopped issuing these in the 1970's. This size poster always makes a statement and dominates a room.

TWENTY FOUR SHEETA HUGE billboard sized American movie poster measuring approx. 9 ft. x 20 ft. Produced in 12 or more overlapping sections. Almost always folded. EXTREMELY RARE. Very large and cumbersome. Designed to be pasted on billboards or the sides of buildings. Studios still use these today. There are also even larger Thirty Sheets.

BUS STOP/SHELTERA vertical format American movie or advertisement poster usually measuring 45"x70". Designed for display in glass-enclosed corner bus stop shelters. They normally feature very colorful, eye-catching and different artwork and are printed on a coated card stock or vinyl like paper. Many of them are double-sided, and come in a series. They are made for outside display. Movie studios frequently use them for major productions. They are very large making them very hard to handle and display, although they are popular with some collectors. Still used today they are usually shipped rolled.

MOVIE BANNER Banners come in a variety of sizes, but most often measure about 3’ to 4’ in width to 8’ to 12’ in length, either horizontally or vertically. They are usually printed on vinyl or canvas. They can be used either indoors or outdoors due to their weather-resistant nature. Some will come with either reinforced holes, a hanging bar, velcro and/or other glue adhesive. Banners can be released as advances or regular issues. Their artwork can vary from simplistic to extremely detailed. Although banners occupy a large amount of display space, they are still considered very collectible to movie art collectors. Banners are printed in limited numbers which makes them harder to obtain than other more common sizes. Still used today they are usually shipped rolled.

WINDOW CARD

 A vertical format poster, measuring 14"x22", on thicker stock paper with blank area at top for venue and playdates. Most window cards are unfolded, but some older ones might be folded. Some older cards indicated as used may have a theater name and play date hand lettered on the blank white area at the top of the poster.  Since this is how the posters were intended to be used, this is not considered damage by most collectors.  Other cards may have had this top portion trimmed off. This trimming does lower the value of the poster.

LOBBY CARD
Lobby cards are no longer used in theaters and are rarely printed for today's films. These small posters on card stock (usually 11"x14" in a horizontal format) were generally produced in sets of eight, intended for display in a theater's foyer or lobby. A lobby set typically consists of one Title Card, a lobby card of special design usually depicting all key stars, listing credits and intended to represent the entire film rather than a single scene; and seven Scene Cards, each depicting a scene from the movie. There are also Mini Lobby Cards measuring 8 1/2" x 10" (stills).

LOBBY CARD SETComplete set of lobby cards (usually eight), generally including a Title Card.

STILLS
Measure 8"x10". Issued in sets of varying numbers. Sometimes on photo paper, sometimes on card stock similar to lobby cards. Sometimes referred to as Mini Lobby Cards.


DOOR PANEL

 Measure 20" x 60". Rarely used today and HIGHLY COLLECTIBLE AND VERY RARE. Printed on both card and paper stock. Issued for major productions or special theater runs. They were issued alone or in a set of posters (usually 4). They usually contained their own unique artwork, normally featuring characters. They were primarily used for display on theatre entrance doors.

Spotting Fake Movie Posters

credits :http://www.moviepostercollector.co.uk/fakes.html

Spotting Fake


Apart from receiving no poster whatsoever, the worst thing that can happen on an auction site like Ebay is to pay good money for a fake poster. There may not be a huge number of fake posters out there - except for lobby cards and some big films like Star Wars - but taking some basic precautions can help. Checking out what the seller's feedback is, and what they've sold in the past is always one of the first things you should do. But on this page I'll hopefully be able to pass on a few tips on how to spot fakes (and reissues)

Common Sense


Common sense can be very handy when checking out a poster that you like the look of. The old adage applies here that "If something's too good to be true.. it probably is". For example if you saw an unfolded "original" one-sheet for sale for "Vertigo", alarm bells should be ringing since every one-sheet for such an old film would have been issued folded.

It's always worth trawling the internet before bidding or buying something, to find similar posters that have sold in the past. That way you can check for typical conditions and compare markings and prices etc.. Some good places to search are:


NSS Poster Markings


One of the easiest ways to realise whether a poster is real or not is to look for official markings, usually those of the NSS (National Screen Service) or that of the printer. While some forgers will fake these as well, they are quite rare. If you know anything about movie posters, you'll probably have heard of NSS numbers.
From the early 1940s to the late 1980s the NSS had almost total control of movie poster printing and distribution in the USA. In order to control this distribution the NSS started to stamp all their posters with a standard code that consisted of the year of exhibition and a number that indicated the order in which the movies were released that year. Before 1977 this had the format 56 / 100 (100th film released in 1956), but following that year the format changed slightly by removing the slash, to become 77100 (100th film released in 1977). Below are a few examples:


Pre-1977 NSS number Post-1977 NSS number

If the film on release was a re-release then the NSS number will have an 'R' in front of it, followed by the year of the re-release (not the year of the original).
NSS issued materials will also have a small blurb which basically laid out the responsibility of the cinema in terms of what could be done with the poster. Essentially the cinema had to either return the poster to the NSS, or destroy it. Hence the rarity of many older posters.

NSS statement

In the late 1980s however the NSS gradually lost control of poster printing and distribution, with the big studios regaining control. This meant that the NSS number was no longer a standard, which makes spotting fakes from the mid-1980s onwards much harder, especially as posters started to be issued rolled as standard (like most fakes).

For recent posters the best remaining method for verification is to measure the poster. Reproduction one-sheets are usually smaller than the real deal by a few inches on either side. Check here for poster sizes of original releases.



Other poster markings


For posters issued outside of the USA, the NSS system doesn't apply (except for international variations of posters printed in the US) and so you have to rely on other markings, such as the name of the printer. Original Uk Quads for example usually have the name of the printer at the bottom.

UK Quad printer marking